Tag: David Cronenberg

Top ten memorable scenes: #4 Existenze

David Cronenberg is one of my favourite directors and eXistenZ is one of his best. Here, Ted Pikul (Jude Law) is fumbling his way through a virtual gaming world, and fish soup at the same time. The reveal in this scene is brilliantly realised. It comically skirts the fine line between reality and the fantastic. Ted’s compulsion to construct a weapon from his fish soup is well acted, well written, and nicely shot by Peter Suschitzky, who collaborates so well with Cronenberg, brushing his screen with a distinctive style. A memorable scene because it completely caught me by surprise in such a humerous and pleasing way. You can watch the scene below which starts about 1 minute in:

My Cannes top five most anticipated films

Cannes 2012 has run its course and as expected has exposed some very interesting looking films. The following are five films shown at Cannes that top my list to see. Add to this list Life of Pi and Prometheus … and I suppose The Hobbit: An Unexpected Journey, and you have a fairly comprehensive list of my personal must sees for the remainder of 2012.

So at number one is the Palme d’Or winner Amour. Directed by Michael Haneke who made the Oscar Nominated White Ribbon and the chilling Funny Games. He is a master of clipped minimalism, structured and elegant. From all reports this film is well deserved of the Palm D’Or.

Second is the surreal Holy Motors by Leos Carax. I’m not familiar with his work, but by all accounts this is an exceptional film. It’s completely out of left field and appears to be dripping with Lynchian surrealism … and it stars, among others, Kylie Monogue. Odd casting but fascinating nonetheless! The trailer looks stunning and I can’t wait to see it.

Third is Beasts of the Southern Wild. I was a mad fan of Where the Wild Things Are and Pans Labyrinth and this film also explores a child’s cognitive defense from hardship by creating a new reality … it is a theme that for some reason fascinates me.

Fourth is Cosmopolis. A futuristic dystopian thriller. David Cronenberg returns to a genre that he does well. This film has seemed to polarized critics. However, being a Cronenberg fan I can see myself going berko over it. Surprisingly, I think Pattinson is a good choice for the lead. Hopefully I’m right and hopefully its a lot better than Cronenberg’s previous disappointment, A Dangerous Method.

Fifth is Mud. Call it a guilty pleasure but I quite like Matthew McConaughey … I just think he’s very “likable”. Directed by Jeff Nichols (who gave us Shotgun Stories and Take Shelter), this film is a Stand By Me style story concerning an escaped fugitive who befriends two boys. Been getting exceptional reviews.

Other notible films which piqued my interest are:
The Paperboy (yes, I know it’s McConaughey again)
On the Road. What’s not to like … it’s written by Jack Keroac.
Moonrise Kingdom. Looks quirky and has an interesting cast but may be a fizzer as well.
Killing them Softly. Kiwi director Andrew Dominik who directed the exceptional slow burn The Assassination of Jesse James by the Coward Robert Ford. Both star Brad Pitt. If this is half as good then it will be worth seeing.

Cronenberg’s A Dangerous Method – review

I’ll say from from the start that I am a huge David Cronenberg fan. He often dives headlong into intense psychological dramas that involve power and its ties to sexual tension. The Talking Cure seemed like an adaptation that was tailor made for an auteur such as Cronenberg.  As a result I was expecting a grand Cronenberg psychoanalytic opera. I was disappointed. Read the full review here.

 

David Cronenberg, A Dangerous Method, and Film Weekly

A new Film Weekly podcast is out.  This week Jason Solomons visits the last house of Dr Sigmund Freud for a session with A Dangerous Method’s Viggo Mortensen.  You can listen to it here.  I’m quite a fan of David Cronenberg’s work, notibly Existenze, Spider, A History of Violence, and Eastern Promises.  These are superb films.  Cronenberg’s latest film, A Dangerous Method, is released in New Zealand April 26, and I am really looking forward to it.  From what I gather it is a lot more staid than his previous work, but it has a fantastic cast and psychonanalysis is a theme that Cronenberg works in and around so well.