Tag: Tom Hiddleston

Avengers: Infinity War

avengersinfinityI’m unapologetically lukewarm about the superhero genre having long suffered the much-maligned superhero fatigue.  And while many fans will bemoan such critics and explain how the superhero genre differs little (in quantity) from other celebrated genres, I must highlight one notable difference; the dreaded word “universe”.  Attach that word to a large grouping of open-ended narrative arcs and it’s a recipe for trouble.

Rather than the episodic nature of other genres, the superhero genre has, for some reason, decided to create giant cross-pollinated mythologies of characters who share the same “universe”—every so often tying them up in one big tentpole movie.

Beholden to Marvel’s “universe” Avengers: Infinity War tries its hardest to corral its many denizens into narrative alignment. You can almost hear the cogs turning as each hero is conveyer-belted onto the screen and plugged back into the Marvel “universe” system.  Despite such difficulties, directors Joe and Anthony Russo have done an admirable job of wrangling it all together.

Understandably, the plot is fairly shallow in order to fit in the numerous heroes and villains. The infighting of previous Marvel films is largely forgotten as the Avengers are all forced to contend with a larger, outside threat: Thanos (Josh Brolin), an enormous, galaxy-trotting warlord who believes the universe would be better off if half of the population was exterminated. His genocidal plans depend on obtaining all six Infinity Stones, their combined power would allow him to reduce life in the universe by half with the literal snap of his fingers.

The action is predictable, with plenty of the usual punchsplosions, collapsing walls, and CGI overload that we’ve become accustomed to. But thankfully the fight sequences aren’t too long … there simply isn’t time for them.  Curiously, a by-product of accommodating an enormous cast seems to be the reduction of tedious fight sequences. However, character development also takes a back seat—a mere luxury squeezed as small as Antman’s undies (who ironically isn’t in this film).  What’s left, however, is Marvel’s intoxicatingly funny brand of humour which keeps pace with the film’s sheer kinetic momentum and culminates in a bold and risky ending (of which my lips are sealed).

Fair to say, I was not expecting much and had to muster all my super-reviewing powers of critical impartiality.  And although Avengers: Infinity War is far from perfect, the result was better than I had anticipated and should satisfy even lukewarm superhero fans.


See more of my NZME reviews here.

Only Lovers Left Alive

Just quickly, as we’re off Malick’s To the Wonder.

Last night I saw Jim Jarmusch’s Only Lovers Left Alive. A new and interesting take on the vampire genre that is a refreshing, cool, quirky, and sometimes hilarious film that leaves the kind of indelible stamp synonymous with a Jarmusch film. Adam (Tom Hiddleston) and Eve (the superb Tilda Swinton) are vampires that have been in love for centuries. Sounds rather clichéd really, but this is so much more than a vampire film. There are plenty of clever commentaries and allegories made here, perhaps most appealing was Adam and Marlowe’s (John Hurt) concern with “getting the art out there” all the while avoiding fame (the allusion to Shakespeare’s rumoured ghostwriter is great). Pleasingly slow, and on occasions ponderous, Only Lovers Left Alive is a film that was more of an experience rather than a plot driven drama. Jarmusch’s, camera slowly roams the moody night-time streets of Detroit and Tangiers, giving a very solid sense of place … if you’ve seen Ghost Dog you’ll know what I mean. Mesmerising stuff!

Rating: 5 stars