Sartre’s No Exit and Clouzot’s Le Corbeau

by Toby Woollaston

Just thrown up a brief abstract of an essay I wrote last year. Here I explore the thematic relationships between Sartre’s No Exit and Clouzot’s excellent (if slightly clinical) Le Corbeau and question to what extent Le Corbeau can be read as an existential text (of which No Exit is considered) as well as an example of occupation cinema.

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