by Toby Woollaston
The process of animating over the top of pre-shot footage (rotoscoping) is a procedure that has existed since the dawn of cinema, most notably applied recently by Richard Linklater (A Scanner Darkly and Waking Life). Loving Vincent pushes the envelope further, with Directors Hugh Welchman and Dorota Kobiela (and an army of artists) making the technically ambitious decision to turn their film into a Van Gogh oil painting through the arduous process of hand painting each frame.
While some might find this a painstaking exercise in gimmickry, there is little doubt that the result is an immersive experience, nudging you ever closer to the work of the famous Dutch painter. Certainly, Loving Vincent is a film where you could hang any one of its overwhelming 65,000 frames on your wall—although, at twelve frames per second, the resulting animation takes a little adjustment.
Read the full review for the NZ Herald here.