Tag: Tom Cruise

The Mummy

tmmyIt looks like Universal Pictures want some of that lucrative franchise action. In the opening credits to The Mummy we are introduced to the “Dark Universe” logo — a series that is being spearheaded by The Mummy in what appears to be a new world of characters born out of classic horror; The Hunchback, Dr. Jekyll, Frankenstein, and Dracula, to name a few.  Although, if The Mummy is any indication, they’re going to make a monstrous mess of the whole lot.

In The Mummy we get Tom Cruise in all his blockbuster glory. From his quizzical expressions to his dramatic running style, everything here is so familiar, even down to the cookie-cutter template that this action blockbuster has been styled on. Cruise plays Nick Morton, a military recognisance scallywag who likes to steal antiquities and sell them on the black market.  One amorous night he steals a map from Jenny Halsey (Annabelle Wallis) which leads him (and her eventually) to the resting place of a 5000-year-old mummified Egyptian princess named Ahmanet (Sofia Boutella). Ahmanet was fairly miffed over a family spat back in the day … but I wont bore you with the details. Suffice to say that she comes back to life to set things straight and wreaks havoc over old Blighty.

Where do I start with what is wrong with The Mummy? Well, if you are sensitive to gender representation then you will most likely realise it contains a bunch of a negative stereotypes.  Ahmanet being the monstrous feminine seductress that toys with the male mind might’ve been an interesting angle to explore further, but instead we are dialled back to the old-fashioned conventions of a self-centred hero with his abject love interest in tow. And don’t get me started on the age gap between Cruise and Wallis.

But, at the end of the day the film is meant to be taken as a light hearted romp, so I’ll dispense with further heavy-handed complaints.  Even as a light hearted romp though, it’s still a disjointed mishmash. There are some nice set pieces but none of these coalesce into a coherent film. Character development is poor, leaving any vested interest in their cause waning.  Perhaps the most intriguing character is Dr. Henry Jekyll played by Russell Crowe.  The small glimpse of his struggle to contain the monstrous Mr. Hyde looked like a movie I’d want to see.  Or, if we’re lucky we might see Mr. Hyde run on for Crowe’s beloved South Sydney NRL side — certainly would be a more fun than The Mummy.  In the meantime, buckle your seat-belts, because this looks like only the first of many more monstrous turds flung our way.

You can see the published review here.

Some holiday films … Amour, Killing Them Softly, Shame, Oblivion, Un Prophete, etc.

Back from holiday, back to work, back to winter … grrr and brrr. On a more positive note, I managed to catch up on seven fantastic films while I was away.

Amour is a Michael Haneke masterpiece. I was thoroughly taken with this film. Haneke’s lack of camera movement is so refreshing these days. The camera sits still and observes the characters rather than becoming one itself. The result is minimum distraction and total submersion into Amour‘s intoxicating performances by Emmanuelle Riva and Jean-Louis Trintigent, Amour is a chamber piece of filmic perfection, so well measured with no rough edges … well deserving of its Palme d’Or.  My rating and trailer here.

Amour

Jean-Louis Trintigent and Isabelle Huppert in Amour

To Rome with Love is the prolific Woody Allen’s latest iconic city tribute. I can’t but help love Allen’s work. As with many of his films, and this film is no different, Allen returns to the safe romantic comedy genre. To Rome with Love is your usual Woody Allen fare, laced this with enough, humour, clever insights, and fourth wall breaking to keep the astute viewer on their toes whilst still indulging in lazy guilty pleasures. A comfortable transition from Midnight in Paris and a very enjoyable film. My rating and trailer here

To Rome with Love

Lynn Swanson and Woody Allen in To Rome With Love

Oblivion. Yes it’s Tom Cruise folks … plenty of Tom Cruise. He fills the screen in a way that only Tom Cruise can, snuffing out any room for other performances. That said, I found his performance to be in keeping with the films requirements. Actually, Oblivion is quite an enjoyable film and would have been more so had it not been the total rip off, and Hollywood bastardisation of Duncan Jones’ superb Moon. Ignore that and you have a solid sci-fi film that is enjoyable but forgotten in a years time. My rating and trailer here

Tom Cruise in Oblivion

Tom Cruise in Oblivion

Shame. Wonderfully written, Steve McQueen’s follow up from his excellent Hunger is another superb outing. Fassbender and Mulligan are nothing short of brilliant. Fassbender plays Brandon, who is addicted to meaningless sex and struggles when circumstance force him to connect both emotionally and sexually. The film is delicately balanced by Sissy, his sister, played by Mulligan who longs for emotional connection and is given to suicidal tendencies. McQueen crafts his characters slowly and clinically, working in a typically cold palette. Shame is excellent and I can’t wait for McQueen next film Twelve Years a Slave. My rating and trailer here

Steve McQueen (right) directs James Badge Dale and Carey Mulligan in Shame

Steve McQueen (right) directs James Badge Dale and Carey Mulligan in Shame

Richard III. A tour de force of of British acting royalty are on offer here … oh and Annette Bening, and Robert Downey Jr. In the vein of Lurman’s Romeo and Juliet, Richard III is a modernisation of the classic Shakespeare play. McKellen does an excellent job at adapting the screenplay and playing the lead. However, this film does seem to show its eighteen years in age and its spark of ingenuity has somewhat lost something over time. Worth watching for the performances alone. My rating and trailer here

Ian McKellen in Richard III

Ian McKellen in Richard III

Un prophete. Another Palme d’Or winner. Jacques Audiard’s gives an excellent account of a rags to riches story in the gang lands of prison whilst delicately tip toeing through racial barriers. Visually stunning and a captivating narrative make this an intoxicating watch. My rating and trailer here

Niels Arestrup and Tahar Rahim in Un prophete

Niels Arestrup and Tahar Rahim in Un prophete

Killing Them Softly. New Zealand’s own Andrew Dominik directs this crime drama that tells the story of Jackie (Brad Pitt), a hit man, who has to restore order to the local criminal economy. Hits are made and money exchanges hands, all the while against the backdrop of the Obama-Cain presidential election. Economy versus community is the subtext explored here, and the fact that this plays out in a gang land setting makes the narrative all the more interesting to watch. Dominik’s knows how to shoot a gangster film with difference (Chopper, The Assassination of Jesse James by the Coward Robert Ford). He certainly knows how to pick his cinematographers, this time choosing to work with Greig Fraser (Bright Star) who masterfully weaves some stunning camera work that is on occasion surplus to requirements but nonetheless always provocative. Despite some patchy acting, I found Killing Them Softly an interesting take on its subtext. My rating and trailer here

Brad Pitt and Scoot McNairy in Killing Them Softly

Brad Pitt and Scoot McNairy in Killing Them Softly